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Maurice scratched his head in perplexity. "Wonder where he's takin' Dad? It's too late fer sheep-shearin' an' too early fer hog-killin'; an' that's 'bout all Dad's good at doin', 'cept leadin' the singin' at prayer-meetin'. Wonder what's up? Gee! the deacon is sure puttin' his old mare over the road.",

Finally he seemed satisfied that he was alone. His harsh notes became soft guttural cooes. He nodded his big head up and down in grave satisfaction, tip-toeing from one end of the ridge-pole to the other and chuckling softly to himself. Then suddenly, he vanished from sight.,

During the closing hymn Billy managed to evade the eyes of his elders long enough to slip outside. He wanted to be alone—alone to ponder over this great and wonderful thing that had come into his life. It was love—yes it certainly was love, strong worshipful love such as comes to but few, and to those few only once. Such love had made Trigger Finger Tim leap a fifty-foot chasm, swim a swift, ice-encumbered river and fight single-handed a band of painted savages to free his sweetheart from their murderous clutches. Billy knew that he would do as much for her!,

"Is Maurice asleep?" whispered the woman.

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Billy was outside first and waiting for Anson at the road gate when he came down the path, dejectedly wiping his eyes and vowing inaudible threats at the agent of his new woe.,

"So, my dear, you see that your mother was right in putting faith in her quotation, 'Most women have no characters at all.'",

"Nope, that man's name's Sanderson. He don't have anythin' to do with the drillers. Nope, Bill, Jacobs hain't never been seen, but I'm dead sure he's the boss of the outfit.",

This young lady was Lucy, the only child of Captain Acton, one of the most charming, indeed one of the most beautiful girls of her time. The scene of garden and flower-beds quaintly shaped, and the backing of the noble, mellow, gleaming building with its pediment and symbolic carvings, was enchantingly in keeping with the figure and appearance of the girl, who by the magic of her looks and attire instantly transformed it into a picture charged with the colours of youth and health and a sweet and delicate spirit of life. Her apparel was prettily of the time: a straw hat, the brim projecting a little over the forehead and seated somewhat on one side, a plain light blue gown and long yellow silk gloves. The gown was without waist and bound under the bosom by a girdle. Her hair this day was dressed in tresses which hung around the face—not curls, but tender shadings of hair, as though the effect had been contrived by the fingers of the wind; but some curls reposed on her neck. Her eyes were unusually large, of a dark brown and full of liquid light. The eyelids were somewhat heavy, and looked the heavier because of their rich furniture of eyelash. The eyelashes indeed suggested at first sight that she doctored her eyes, as do actresses[Pg 20] and others; but a brief inspection satisfied the beholder that all was Nature transparent, artless, and lovely. A conspicuous charm in Lucy Acton was her colour: her cheeks always wore a natural bloom or glow; this, as in the case of her eyes, might have been suspected as the effect of art, but she blushed so readily, even sometimes on any effort of speech, the damask of her blood so wrought in her cheek on any impulse of mood or humour, that it was quickly seen the mantling glow was a charm of Nature's own gift. No girl could have been more natural, and few more beautiful than Lucy Acton. Had she lived half a century earlier she would have been one of the toasts of the nation.