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"Yes. To ask if I would see her mistress; a most unnecessary question." CHAPTER XIII. ISABELLA. Lastly Etwald. It is difficult to describe the indescribable. He was austere in face, like Dante, with hollow cheeks, and a pallid hue which told of midnight studies. If he had passions, they could not be discerned in his features. Eye and mouth and general expression were like a mask. What actually lay behind that mask no one ever knew, for it was never off. His slightly hollow chest, his lean and nervous hands, and a shock of rather long, curling hair, tossed from a high forehead, gave Etwald the air of a student. But there was something sinister and menacing in his regard. He looked dangerous and more than a trifle uncanny. Physically, mentally, morally he was an enigma to the bovine inhabitants of Deanminster and Hurstleigh..

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"Silence, all of you," cried Jen, authoritatively. "We must act, not talk. Two of you take Jaggard to his room. Tell the groom to ride at once to Deanminster for Dr. Etwald and Inspector Arkel. Sampson," he added, turning to the policeman, who was stolidly staring at the empty bed, "rouse yourself. Take lanterns and search for footmarks. There must have been more than one person to carry off a dead body." Patricia heaved a deep sigh. "Well, I must say," she said with a triumphant look at Miss Jinny, "I do believe in first impressions and I'm glad I always liked Doris Leighton." "You all know," Bruce went on, "that I have been trying an experiment of my favorite theory of art education, but very few of you know how it has progressed. And it is to show you the result that I have lured you here today—to crow over some of you, in fact. The canvas I am going to show you was designed, executed as far as it has gone, entirely by Miss Elinor Kendall, a student of hardly more than nine months' study. The subject is the 'Nativity' and it is designed for a chancel in a small church." "He take you from me.".