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"Is it?"—witheringly. Then, with some impatience, "You will be far happier in an arm-chair: do go into the parlor. There is really no reason why you should remain here." "Eh? What?" asks Lady Rodney, in a dazed fashion, yet coming back to life with amazing rapidity. She sits up. Then in an instant the situation explains itself to her; she collects herself, bestows one glance of passionate anger upon Mona, and then rises to welcome Mrs. Carson with her usual suave manner and bland smile, throwing into the former an air meant to convey the flattering idea that for the past week she has been living on the hope of seeing her soon again. "I wonder when the moon will be full," says Geoffrey, making this ordinary remark in an everyday tone that does him credit, and speaks well for his kindliness and delicacy of feeling, as well as for his power of discerning character. He makes no well-turned speeches about the bay being even more enchanting under such circumstances, or any orthodox compliment that might have pleased a woman versed in the world's ways..

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Her tone is so unpleasant and so significant that silence falls upon the room. Geoffrey says nothing. Perhaps he alone among them fails to understand the meaning of her words. He seems lost in thought. So lost, that the others, watching him, wonder secretly what the end of his meditations will bring forth: yet, one and all, they mistake him: no doubt of Mona ever has, or ever will, I think, cross his mind. Then Mona goes on quietly,— They started and ran this race through the thick timber, among the bushes, and over fallen logs, and this time the antelope ran slowly, for he was afraid of hitting himself against the trees or of falling over the logs. You see, he was not used to this kind of travelling. So the deer easily beat him and took his dew-claws. "You can hardly mean that?" says Mona, with some surprise..