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"I think I like no poet half so well. You mistake me," replies he, ashamed of his own surprise at her preference for his lordship beneath the calm purity of her eyes. "But—only—it seemed to me Longfellow would be more suited to you." "She's the girl my mother wanted me to marry, you know," goes on Rodney, unobservant, as men always are, of the small signals of distress hung out by his companion. "From the Louvre. They are in Paris.".

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Mrs. Geoffrey, thus addressed, rouses herself, and says, "What can I do for you?" in a far-away tone that proves she has been in thought-land miles away from every one. Through her brain some words are surging. Her mind has gone back to that scene in the conservatory last night when she and Paul Rodney had been together. What was it he had said? What were the exact words he had used? She lays two fingers on her smooth white brow, and lets a little frown—born only of bewildered thought—contract its fairness. "I'll see about it. And, oh, Geoffrey, I do hope you will like me in it, and think me pretty," she says, anxiously, half fearful of this gown that is meant to transform a "beggar maid" into a queen fit for "King Cophetua." At least such is her reading of the part before her. To habit in. "Why, indeed, unless you wished to possess yourself of something in the old room?".