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“Well, he ain’t dead; he’s alive and bully, with a wad that bulges. I’m going to take you to him.”,
“We’ll have to go and tell Ma,” said Maria.,
Moses and Betty, hearing what promised to add spice to their evening, quickly entered the room. Mrs. Wopp who always had to know the joke, conspired at once to get rid of the youngsters.,
They were a happy lot. Each held some high-sounding position, the name coined in Billy’s busy brain. His box of abused tools came forth; the much mended wheelbarrow, picks, shovels wobbly from use as well as abuse, improvised things that only an imagination as large as Billy’s could have named tools,—something for each one there.
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At this mendacious statement Mrs. Wopp turned on her offspring a withering glance.,
CHAPTER XI.—JONAH AND THE WHALE.,
When the train snorted into the station the two were there, Billy with his loaf under his arm, his can dangling. Most of the arrivals were townsfolk home from visits to the stricken city; but a few, evidently strangers, descended and stood by themselves.,
Mrs. Wopp surmised from the dejected appearance of the young rancher, coupled with the smiles over the footlights which she had observed with rising wrath, that trouble was brewing, and she whispered audibly to herself, “A musician’s orl right on a pianner stool, but when it comes to gittin’ up in the mornin’ an’ choppin’ wood to bile the kettle give me a farmer.” Her cogitations became louder. “I s’pose he thinks cos he has a percession of carpital letters arter his name he can git anyone fer the arskin’. When he smiled so at our Miss Gordon I could of slain him with the jawrbone of an arss.” In her championship of Howard’s interests, Mrs. Wopp became an ardent villifier of the pianist and she administered an oral castigation with feminine vigor.
“I wathed theeth carroth mythelf, aint they lovely and red jutht like Motheth hair.” She was quite oblivious of the scornful glance bestowed on her by that outraged shock-headed youth.
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Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them.
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“Afore I begin weedin’,” she announced, “I b’lieve I’ll make two bouquets, one orl yaller an’ one orl white, an’ some sparrer-grass in both.”
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The pictures that followed were of fairies and sprites irresistible to childish minds.
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>“Yes, Captain,” she answered, her eyes aglow while she smoothed refractory frills. She wore a wonderful trailing robe of tissue paper, “ruffled to the guards,” Billy said. On her head was a towering cap of the same; and a light wind bellied out her wide angel sleeves like sails before a spanking breeze.
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