"Aren't you?" says Mona, in her tender fashion, that implies so kind a doubt. Raising one hand (the other is imprisoned), she draws his face down to her own. "I wouldn't have you altered in any way," she says; "not in the smallest matter. As you are, you are so dear to me you could not be dearer; and I love you now, and I shall always love you, with all my heart and soul.",
Any demonstration on her part just now may make a scene, and scenes are ever abhorrent. And might she not yet further widen the breach between mother and son by an ill-timed show of affection for the latter?,
"But do," goes on Violet, in her soft, even monotone, that is so exactly suited to her face. "It is rather pleasant thinking. Confession, you know, is so soothing; and then there are always the dear saints, with their delightful tales of roses and lilies, and tears that turn into drops of healing balm, and their bones that lie in little glass cases in the churches abroad. It is all so picturesque and pretty, like an Italian landscape. And it is so comfortable, too, to know that, no matter how naughty we may be here, we can still get to heaven at last by doing some great and charitable deed.".
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