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"The poor fellow is calling for you, Mona, incessantly," he says. "It remains with you to decide whether you will go to him or not. Geoffrey, you should have a voice in this matter, and I think she ought to go.",

Mona is the first to recover herself.,

Mona, sinking languidly into a chair, turns the note over and over between her fingers, whilst wondering in a disjointed fashion as to whom it can be from. She guesses vaguely at the writer of it, as people will when they know a touch of the hand and a single glance can solve the mystery.,

Here and there are basins of water on which lilies can lie and sleep dreamily through a warm and sunny day. A sundial, old and green with honorable age, uprears itself upon a chilly bit of sward. Near it lie two gaudy peacocks sound asleep. All seems far from the world, drowsy, careless, indifferent to the weals and woes of suffering humanity.

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The air is full of death and desolation. It is cold and raw, and no vestige of vegetation is anywhere. In the distance, indeed, she can see some fir-trees that alone show green amidst a wilderness of brown, and are hailed with rapture by the eye, tired of the gray and sullen monotony. But except for these all is dull and unfruitful.,

"Nevertheless, it is in very bad taste his taking advantage of that absurd permission, considering how he is circumstanced with regard to us," says Lady Rodney. "You wouldn't do it yourself, Nicholas, though you find excuses for him.",

Here she turns and looks him full in the face; and something—it may be in the melancholy of his expression—so amuses her that (laughter being as natural to her lips as perfume to a flower) she breaks into a sunny smile, and holds out to him her hand in token of amity.,

Of course everybody that is anybody has called on the new Mrs. Rodney. The Duchess of Lauderdale who is an old friend of Lady Rodney's, and who is spending the winter at her country house to please her son the young duke, who is entertaining a houseful of friends, is almost the first to come. And Lady Lillias Eaton, the serious and earnest-minded young æsthetic,—than whom nothing can be more coldly and artistically correct according to her own school,—is perhaps the second: but to both, unfortunately, Mona is "not at home."