He walked with her to the bus. They passed a corner house that he had more than once pointed out to her. It had belonged, years ago, to a well-known artist, who had worked out a wonderful scheme of decoration in the drawing-room. A board was up, announcing that the house was for sale. A gas lamp, exactly opposite, threw a flood of light upon the huge white lettering. “Take off your glasses, and look at it straight,” she went on, without giving Joan time to reply. “What is it in us that ‘inspires’ men? If it’s only advice and sympathy he’s after, what’s wrong with dear old Mrs. Denton? She’s a good walker, except now and then, when she’s got the lumbago. Why doesn’t he get her to ‘inspire’ him?”!

A pile of correspondence was awaiting her and, standing by the desk, she began to open and read it. Suddenly she paused, conscious that someone had entered the room and, turning, she saw Hilda. She must have left the door ajar, for she had heard no sound. The child closed the door noiselessly and came across, holding out a letter. She followed, inwardly fuming, while Mrs. Phillips continued to pile monstrosity upon monstrosity. What would Phillips think? And what would Hilda’s eyes say when they looked upon that recherché drawing-room suite? Hilda, who would have had no sentimental compunctions! The woman would be sure to tell them both that she, Joan, had accompanied her and helped in the choosing. The whole ghastly house would be exhibited to every visitor as the result of their joint taste. She could hear Mr. Airlie’s purring voice congratulating her.

“What’s he like to-night?” she asked, with a jerk of her head in the direction of the next room. She placed her bag carefully upon the sofa, and examined the new shawl as she did so. “How did she come to fall in love with you?” asked Joan. “I don’t mean to be uncomplimentary, Dad.” She laughed, taking his hand in hers and stroking it. “You must have been ridiculously handsome, when you were young. And you must always have been strong and brave and clever. I can see such a lot of women falling in love with you. But not the artistic woman.” She did effect an improvement in the poor lady’s dress. On Madge’s advice she took her to a voluble little woman in the Earl’s Court Road who was struck at once by Madame Phillips’s remarkable resemblance to the Baroness von Stein. Had not Joan noticed it? Whatever suited the Baroness von Stein—allowed by common consent to be one of the best-dressed women in London—was bound to show up Madame Phillips to equal advantage. By curious coincidence a costume for the Baroness had been put in hand only the day before. It was sent for and pinned upon the delighted Madame Phillips. Perfection! As the Baroness herself would always say: “My frock must be a framework for my personality. It must never obtrude.” The supremely well-dressed woman! One never notices what she has on: that is the test. It seemed it was what Mrs. Phillips had always felt herself. Joan could have kissed the voluble, emphatic little woman.