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“I wonder ef she guesses you aint my really truly brother. Ef I only had your beaut-i-ful red hair an’ white eyebrows, stead of havin’ yaller hair an’ brown eyebrows. I can’t do nothin’ jist now ’bout my hair, but s’pose I cut off my eyebrows an’ make them look nice an’ white like yours. Mosey,” coaxingly, “you cut them fer me.”,

“Leave the boy be, Lize,” directed Ebenezer Wopp, whom the pride-inspiring events of the evening had rendered more self-assertive than usual. “He aint crowin’ none, an’ what he done brung credit to the hullo’ us.”,

“Shame on you Moses, rampagin’ an’ bellerin’ there like a gang of coyotes,” remonstrated his mother.,

“I like ‘Ladybird,’ but not ‘bully,’” the little girl returned shyly.

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The band struck up and, intoxicated with the rhythm of the music, Moses skated as he had never done before. At first an object of amusement to the city boys he became the centre of an admiring throng. His spirals and figure eight’s were such as to call forth envious remarks. Even Clarence Egerton Crump thawed and admitted to several school mates that Moses Wopp was a pretty solid pal, only a bit gawky in his get-up.,

The dance was held in a new barn of which the floor was especially good. Indeed the young people of the family had seen to that. Unfortunately the stable end of the building was already in use and this proved to be somewhat inconvenient. During the festivities of the evening one delicate lady fainted from excitement and overpowering stable odors. She speedily revived, however, on being carried into the fresh air and soused with a bucket of cold water. The building was illuminated with lanterns and an occasional oil lamp. Benches were ranged along the walls. The crowd was large and as usual at these affairs men predominated in numbers. The dances were mostly square ones and when a husky caller-off became hoarse and exhausted with shouting, another took his place. He usually stood at one end of the building beside the fiddler.,

“Well?” she questioned.,

With a patient hand removin’