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"No, indeed," says Mona, laughing. "But it surely wasn't English, was it? That is not the way everybody talks, surely." "What is it?" she says, fearfully, and then, "Your coat is wet—I feel it. Oh Geoffrey, look at your shirt. It is blood!" Her tone is full of horror. "What have they done to you?" she says, pitifully. "You are hurt, wounded!" Jenkins, the antediluvian butler, proves himself a man of his word. There are, evidently, "no two ways" about Jenkins. "Seeking the seclusion that her chamber grants" about ten o'clock to-night, after a somewhat breezy evening with her mother-in-law, Mona descries upon her hearthrug, dozing blissfully, two huge hounds, that raise their sleepy tails and heads to welcome her, with the utmost condescension, as she enters her room..
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"But he wants to marry you. I know he does. Tell me the truth about that," he says, with flattering vehemence. It is Paul Rodney. "Oh, I got the ould man to bed hours ago; for I knew if he stayed up that he'd get mortial wearin', an' be the death of us if he knew ye were out so late. An' truth to say, Miss Mona," changing her tone from one of extreme joy and thankfulness to another of the deepest censure, "'twas the world an' all of bad behavior to be galavantin' out at this hour." After a moment she turns deadly pale, and says, in a faint tone, "I know I am hurting you: I feel it." And in truth I believe the tender heart does feel it, much more than he does. There is an expression that amounts to agony in her beautiful eyes..
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