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Outside the spring warmth and fragrance enfolded the children as a mantle, opening their hearts to each other. Billy showed his flock of pigeons, his white chickens and the house where they roosted and brought forth their fluffy broods. Old Bouncer barked and capered about them; and the little girl tried to decide which cat was the prettiest, white Flash watching for gophers in the green alfalfa, or Sir Thomas Katzenstein, his yellow mate, basking in the sun. “He isn’t yellow like any other cat I ever saw; he’s shaded so beautifully.” “How much will you pay fer them fer my missionary box?” bargained the child. “Will four shinin’ new quarters do?” “Great Scott, boy! We’ll have to hurry. We must get up there before the fire gets down. Do you know the shortest way?”.

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Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers. “No, no, dear. Keep them, an’ I’ll put them in warter when we go to the house,” begged Betty. “The fairies are orful cross when they see dead flowers lyin’ round. Mebbe they might be too angry to come in the garding again ever.” Better than all others, “Dear me, mother,” Edith said when Mrs. Bennett came in with hot cakes, “what shall we do with two children in dreamland?” Edith had not touched her breakfast, but was waiting on the others..