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It was long, long ago, very far back, that this happened. In those days the people used to kill the buffalo by driving them over a steep place near the river, down which they fell into a great pen built at the foot of the cliff, where the buffalo that had not been killed by the fall were shot with arrows by the men. Then the people went into the pen and skinned the buffalo and cut them up and carried the meat away to their camp. This pen they called piskun.,

"Yes. When talking then of supplanting Sir Nicholas at the Towers, you spoke of your project as a 'splendid scheme.' What did you mean by it? I cannot get the words out of my head since. Is 'scheme' an honest word?",

Her eyes are large and blue, with a shade of green in them; her lips are soft and mobile; her whole expression is debonnaire, yet full of tenderness. She is brightness itself; each inward thought, be it of grief or gladness, makes itself outwardly known in the constant changes of her face. Her hair is cut above her forehead, and is quite golden, yet perhaps it is a degree darker than the ordinary hair we hear described as yellow. To me, to think of Dorothy Darling's head is always to remind myself of that line in Milton's "Comus," where he speaks of,

One day after this, some people went on a little hill to look about, and the buffalo saw them and called out to each other, "Ah, there is some more of our food," and rushed upon them. The people did not run. They began to shoot at the buffalo with the bows and arrows that had been given them, and the buffalo began to fall. They say that when the first buffalo hit with an arrow felt it prick him, he called out to his fellows, "Oh, my friends, a great fly is biting me."

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He moves towards the door with "pride in his port, defiance in his eye," as Goldsmith would say.,

For this master of the Towers (so the story ran) Elspeth, in her younger days, had borne a love too deep for words, when she herself was soft and rosy-cheeked, with a heart as tender and romantic as her eyes were blue, and when her lips, were for all the world like "cherries ripe.",

"No, but they are," she says, pointing to her two faithful companions, who are staring hungrily at Rodney and evidently only awaiting the word from Mona to fling themselves upon him.,

"I want you to see my own work," she says, going up markedly to Mona. "I am glad my garden has pleased you. I could see by your eyes how well you appreciated it. To see the beautiful in everything, that is the only true religion." She smiles her careful absent smile again as she says this, and gazes earnestly at Mona. Perhaps, being true to her religion, she is noting "the beautiful" in her Irish guest.