Mona, sitting down to the piano, plays a few chords in a slow, plaintive fashion, and then begins. Paul Rodney has come to the doorway, and is standing there gazing at her, though she knows it not. The ballroom is far distant, so far that the sound of the band does not break upon the silence of the room in which they are assembled. A hush falls upon the listeners as Mona's fresh, pathetic, tender voice rises into the air.,
KŬT-O-YĬS´, THE BLOOD BOY,
"So there is; something specially awful," responds Nolly, pensively. "She frightens me to death. She has an 'eye like a gimlet.' When I call to mind the day my father inveigled me into the library and sort of told me I couldn't do better than go in for Lilias, my knees give way beneath me and smite each other with fear. I shudder to think what part in her mediæval programme would have been allotted to me.".
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