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"Oh, yes, they will," returns Doatie, emphatically, "They will probably hear a great deal of it! I shall speak of it morning, noon, and night, until out of sheer vexation of spirit they will come in a body and entreat you to remove me. Ah!" regretfully, "if only I had a fortune now, how sweet it would be! I never missed it before. We are really very unfortunate." "You have come!" cries he, in a tone Mona has never heard before, and then—there is no mistake about the fact that he and the shadow have embraced each other heartily. Perhaps another reason for Mona's having found such favor in the eyes of "the biggest woman in our shire, sir," lies in the fact that she is in many ways so totally unlike all the other young women with whom the duchess is in the habit of associating. She is naive to an extraordinary degree, and says and does things that might appear outre in others, but are so much a part of Mona that it neither startles nor offends one when she gives way to them..

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"What is it?" she says, fearfully, and then, "Your coat is wet—I feel it. Oh Geoffrey, look at your shirt. It is blood!" Her tone is full of horror. "What have they done to you?" she says, pitifully. "You are hurt, wounded!" Slowly he draws from his pocket a paper, folded neatly, that looks like some old parchment. Mona draws her breath quickly, and turns first crimson with emotion, then pale as death. Opening it at a certain page, he points out to her the signature of George Rodney, the old baronet. "Partly," says Mona. "Not altogether: there was always a faint odor of pipes about Uncle Brian's room that does not belong to this." It strikes Geoffrey as part of the innate sweetness and genuineness of her disposition that, after all the many changes of thought that have passed through her brain on their return journey, her first concern on entering her own doors is for the poor unhappy creature in the cabin up yonder..