“Hardly the sort of anecdote that a truly noble and high-minded young woman would have received with laughter,” he commented. “And they are with you now?” concluded Miss Tolley.!

“Just all the difference,” answered Greyson, “between Pooh Bah as Chancellor of the Exchequer, or Lord High Admiral, or Chief Executioner, whichever he preferred to be, and Pooh Bah as all the Officers of State rolled into one. Pooh Bah may be a very able statesman, entitled to exert his legitimate influence. But, after all, his opinion is only the opinion of one old gentleman, with possible prejudices and preconceived convictions. The Mikado—or the people, according to locality—would like to hear the views of others of his ministers. He finds that the Lord Chancellor and the Lord Chief Justice and the Groom of the Bedchamber and the Attorney-General—the whole entire Cabinet, in short, are unanimously of the same opinion as Pooh Bah. He doesn’t know it’s only Pooh Bah speaking from different corners of the stage. The consensus of opinion convinces him. One statesman, however eminent, might err in judgment. But half a score of statesmen, all of one mind! One must accept their verdict.” It was at Madge Singleton’s rooms that the details of Joan’s entry into journalistic London were arranged. “The Coming of Beauty,” was Flora Lessing’s phrase for designating the event. Flora Lessing, known among her associates as “Flossie,” was the girl who at Cambridge had accidentally stumbled upon the explanation of Joan’s influence. In appearance she was of the Fluffy Ruffles type, with childish innocent eyes, and the “unruly curls” beloved of the Family Herald novelist. At the first, these latter had been the result of a habit of late rising and consequent hurried toilet operations; but on the discovery that for the purposes of her profession they possessed a market value they had been sedulously cultivated. Editors of the old order had ridiculed the idea of her being of any use to them, when two years previously she had, by combination of cheek and patience, forced herself into their sanctum; had patted her paternally upon her generally ungloved hand, and told her to go back home and get some honest, worthy young man to love and cherish her.

She gave a slight start, for in their letters to one another they had been discussing this very point. A well-known artist had been found murdered in his bed and grave suspicion attached to his beautiful young wife. “Powerless to rule. Powerful only to serve,” he answered. “Powerful as Christ was powerful; not as Caesar was powerful—powerful as those who have suffered and have failed, leaders of forlorn hopes—powerful as those who have struggled on, despised and vilified; not as those of whom all men speak well—powerful as those who have fought lone battles and have died, not knowing their own victory. It is those that serve, not those that rule, shall conquer.”