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"What horse are you taking?" asks she, holding him. Breakfast is forgotten; the rolls and the toast and the kidneys are growing cold. Even her own special little square of home-made bread is losing its crispness and falling into a dejected state, which shows almost more than anything else could that Lady Rodney is very far gone indeed. "Am I not?" says he, humbly, putting on his carefully crestfallen air that has generally been found so highly successful. "Tell me my fault.".
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Conrad
It seems such a direct running commentary on Mona's supposed ill deed that every one—as by a single impulse—looks up. Nolly and Jack Rodney exchange covert glances. But for the depression that reigns all round, I think these two would have given way to frivolous merriment. The dhudheen is an institution, no doubt, but the owner of it, as a rule, is not to be found seated on a five-barred gate, with a shamrock pinned in his hat and a straw in his mouth, singing "Rory O'More" or "Paddy O'Rafferty," as the case may be. On the contrary, poor soul, he is found by Geoffrey either digging up his potatoes or stocking his turf for winter use. "It is really hardly worth talking about," she says, grandly. "I was foolish to lay so great a stress on such a trifling matter. It doesn't signify, not in the least. But—but," the blood mounting to her brow, "if ever you speak of it again,—if ever you even mention the word 'heather,'—I shall hate you!" "I have read so few," she says, wistfully, and with hesitation. Then, shyly, "I have so few to read. I have a Longfellow, and a Shakspeare, and a Byron: that is all.".
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