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“I dassent do it, Betty,” replied Moses. “Anyhow this ole pair of scissors ’d do the job better.” It was Saturday afternoon on a busy street in the city. Moses Wopp and Clarence Crump, at whose home the former was spending the week end, were on their way to the skating-rink. If they had wanted to skate there, the streets would have accommodated them with a sufficiently smooth surface, as an early frost had rimed the pavement. “That’s no giant. She isn’t bigger’n a kid. Will she let you come to play? The Gang’s coming to-morrow.”.

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Betty playfully thrust a small forefinger into one of the fresh biscuits on the table and bore it, impaled on the rosy weapon, triumphantly to her plate. This was for the amusement of Moses, but instead of laughing as he was expected to do, he eyed his little sister with assumed indifference. “Leave the boy be, Lize,” directed Ebenezer Wopp, whom the pride-inspiring events of the evening had rendered more self-assertive than usual. “He aint crowin’ none, an’ what he done brung credit to the hullo’ us.” Several others were summoned and returned with remarkable reports. At last two high-pitched little voices called in concert down the[160] stair: “The Royal Seeress will rend the veil of futurity for William Bennett.” “This is a xylophone, take this little wooden hammer and play a few notes.” Moses took the hammer held out to him and striking a wooden bar brought out a weird but sweet sound. He struck several bars in succession and was enraptured to find that they produced a sort of veiled silvery music. “Sounds like the moon looks when you carnt see it fer clouds,” he mused, “Mar thinks I’d make a moosican, mebbe she’s right.”.