"Ah," said the son-in-law, "you talk back to me. That makes me still angrier at you." He put an arrow on the string and shot at the old man, but did not hit him. Kŭt-o-yĭs´ said to the old man, "Pick up that arrow and shoot it back at him"; and the old man did so. Now, they shot at each other four times, and then the old man said to Kŭt-o-yĭs´, "I am afraid now; get up and help me. If you do not, I think he will kill me." Then Kŭt-o-yĭs´ rose to his feet and said to the son-in-law, "Here, what are you doing? I think you have been treating this old man badly for a long time. Why do you do it?",
The whole of the long north gallery is flooded with its splendor. The oriel window at its farther end is lighted up, and from it can be seen a picture, living, real, that resembles fairy-land.,
You have heard the Thunder, for he is everywhere. He roars in the mountains, and far out on the prairie is heard his crashing. He strikes the high rocks, and they fall to pieces; a tree, and it is broken in slivers; the people, and they die. He is bad. He does not like the high cliff, the standing tree, or living man. He likes to strike and crush them to the ground. Of all things he is the most powerful. He cannot be resisted. But I have not told you the worst thing about him. Sometimes he takes away women.,
"The first sound in the song of love
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"And what do you think of me?" She has grown a little pale, but her eyes have not left his.,
She looks at him as she says this, fearlessly, honestly, and without a suspicion of coquetry.,
Early in the morning a herd of buffalo had been seen feeding on the slopes of the mountains, and some hunters went out to kill them. Travelling carefully up the ravines, and keeping out of sight of the herd, they came close to them, near enough to shoot their arrows, and they began to kill fat cows. But while they were doing this a war party of Snakes that had been hidden on the mountainside attacked them, and the Piegans began to run back toward their camp.,
At the sound of the twelfth stroke the hounds stir uneasily, and sigh, and, opening wide their huge jaws, yawn again. Mona pats them reassuringly: and, flinging some fresh logs upon the fire, goes back once more to her old position, with her chin in the palm of one hand, whilst the other rests on the sleek head of Spice.
"Give me your hand again," says Rodney, after a pause; and when she gives it to him he says, "Do you know this is the nearest approach to real happiness I have ever known in all my careless, useless life? What is it Shakspeare says about the folly of loving 'a bright particular star'? I always think of you when that line comes to my mind. You are the star; mine is the folly."
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Though uncertain that she regards him with any feeling stronger than that of friendliness (because of the strange coldness that she at times affects, dreading perhaps lest he shall see too quickly into her tender heart), yet instinctively he knows that he is welcome in her sight, and that "the day grows brighter for his coming." Still, at times this strange coldness puzzles him, not understanding that
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01fvo-Wong,
It’s a Quan-Yuan
"Down below in the hollow, miss,—jist behind the hawthorn-bush. Go home some other way, Miss Mona: they're bint on blood."
ckt16-Xu,
Bingbing-Li
"You never saw an angel, so you can't say," says Mona, still sadly severe. "And I am unhappy. How will your mother, Mrs. Rodney, like your marrying me, when you might marry so many other people,—that Miss Mansergh, for instance?"
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Halin-Chen Response,
>Overcome by the heat of the fire, her luncheon, and the blessed certainty that for this one day at least no one is to be admitted to her presence, Lady Rodney has given herself up a willing victim to the child Somnus. Her book—that amiable assistant of all those that court siestas—has fallen to the ground. Her cap is somewhat awry. Her mouth is partly open, and a snore—gentle, indeed, but distinct and unmistakable—comes from her patrician throat.
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