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"I sha'n't want to see them, perhaps," says Mona, apologetically, "but how shall I avoid it?" "I don't think I understand you," she says, at length, gravely. "Where would the rest of her be, if she wasn't all in the same place?" Then the young man spoke and asked, "Why is this? Why do you not give me food?".
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Conrad
Weasel Heart and Fisher filled their pipes and smoked, and then each started to cross the river. As each stepped into the water, the river began to go down and the crossing grew more and more shallow. The people with all their dogs followed close behind Fisher, as he had told them to do. Fisher and Weasel Heart met in the middle of the river, and when they met they stepped to one side up the stream and let the people pass them. Ever since that day this has been a shallow crossing. "Mona, do be friends with me," he says at last, desperately, driven to simplicity of language through his very misery. There is a humility in this speech that pleases her. "Call me Geoffrey." "Now, look here," he says, impressively: "I hope nobody is going to indulge in so much as a covert smile to-day." He glances severely at Nolly, who is already wreathed in smiles. "Because the Æsthetic won't have it. She wouldn't hear of it at any price. We must all be in tense! If you don't understand what that means, Mona, you had better learn at once. You are to be silent, rapt, lifted far above all the vulgar commonplaces of life. You may, if you like, go into a rapture over a colorless pebble, or shed tears of joy above a sickly lily; but avoid ordinary admiration.".
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