Owen hesitated, but at last he brought it out. "What I mean to say is, don't you know, that Mona, if you don't mind my saying so, has taken it into her head to be jealous." "They're beyond me—I give it up," said Mrs. Gereth.!

"I certainly didn't want the rubbish, if that's what you mean." Mrs. Gereth, on the sofa, followed the direction of her companion's eyes; with the light of her satisfaction still in her face, she slowly rubbed her large, handsome hands. Wherever she was, she was herself the great piece in the gallery. It was the first Fleda had heard of there being "rubbish" at Poynton, but she didn't for the moment take up this insincerity; she only, from where she stood in the room, called out, one after the other, as if she had had a list in her hand, the pieces that in the great house had been scattered and that now, if they had a fault, were too much like a minuet danced on a hearth-rug. She knew them each, in every chink and charm—knew them by the personal name their distinctive sign or story had given them; and a second time she felt how, against her intention, this uttered knowledge struck her hostess as so much free approval. Mrs. Gereth was never indifferent to approval, and there was nothing she could so love you for as for doing justice to her deep morality. There was a particular gleam in her eyes when Fleda exclaimed at last, dazzled by the display: "And even the Maltese cross!" That description, though technically incorrect, had always been applied, at Poynton, to a small but marvelous crucifix of ivory, a masterpiece of delicacy, of expression, and of the great Spanish period, the existence and precarious accessibility of which she had heard of at Malta, years before, by an odd and romantic chance—a clue followed through mazes of secrecy till the treasure was at last unearthed. Fleda hesitated; she had not quite had a definite idea. "Well—he'll give them up."

If Fleda handed this communication to her friend as a triumphant gage of the innocence of the young man's heart, her elation lived but a moment after Mrs. Gereth had pounced upon the tell-tale spot in it. "Why in the world, then," that lady cried, "does he still not breathe a breath about the day, the day, the day?" She repeated the word with a crescendo of superior acuteness; she proclaimed that nothing could be more marked than its absence—an absence that simply spoke volumes. What did it prove in fine but that she was producing the effect she had toiled for—that she had settled or was rapidly settling Mona? Fleda felt the tone and finished her preparation; then she went and opened the door. "We'll look for him together," she said to her friend, who stood a moment taking in her face. "They may know something about him at the Colonel's." "Of the old things?" Fleda had selected a third-class compartment: she stood a moment looking into it and at a fat woman with a basket who had already taken possession. "Always?" she said, turning again to her companion. "Never!" she exclaimed. She got into the carriage, and two men with bags and boxes immediately followed, blocking up door and window so long that when she was able to look out again Mrs. Gereth had gone.