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"I hardly know.",

To-morrow will be market-day in Bantry, to which the week's butter must go; and now the churning is over, and the result of it lies cold and rich and fresh beneath Mona's eyes. She herself is busily engaged printing little pats off a large roll of butter that rests on the slab before her; her sleeves are carefully tucked up, as on that first day when Geoffrey saw her; and in defiance of her own heart—which knows itself to be sad—she is lilting some little foolish lay, bright and shallow as the October sunshine that floods the room, lying in small silken patches on the walls and floor.,

"As berries," says Mona, genially.,

About a week after her arrival—she having expressed her admiration of ferns the night before—he draws her hand through his arm and takes her to his own special sanctum,—off which a fernery has been thrown, he being an enthusiastic grower of that lovely weed.

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There was a poor young man. He was very poor. His father, his mother, and all his relations were dead. He had no lodge, no wife to tan his robes or make his moccasins. His clothes were always old and worn. He had no home. To-day he stopped in one lodge; then to-morrow he ate and slept in another. Thus he lived. He had a good face, but on his cheek was a bad scar.,

To her it is an awful moment. Never before has she stood face to face with dissolution, to wait for the snapping of the chain,—the breaking of the bowl. "Neither the sun nor death," says La Rochefoucauld, "can be looked at steadily;" and now "Death's thousand doors stand open" to receive this man that but an hour agone was full of life as she is now. His pulses throbbed, his blood coursed lightly through his veins, the grave seemed a far-off destination; yet here he lies, smitten to the earth, beaten down and trodden under, with nothing further to anticipate but the last change of all.,

Thus adjured,—though in truth he requires little pressing, having been devoured with a desire since early dawn to reveal the hidden knowledge that is in his bosom,—Geoffrey relates to them the adventure of the night before. Indeed, he gives such a brilliant coloring to the tale that every one is stricken dumb with astonishment, Mona herself perhaps being the most astonished of all. However, like a good wife, she makes no comments, and contradicts his statements not at all, so that (emboldened by her evident determination not to interfere with anything he may choose to say) he gives them such a story as absolutely brings down the house,—metaphorically speaking.,

"I am Paul Rodney," he now volunteers,—"your husband's cousin, you know. I suppose," with a darkening of his whole face, "now I have told you who I am, it will not sweeten your liking for me."