"But why not to-night?" asks her Grace, who has noticed with curiosity the girl's refusal to dance with a lanky young man in a hussar uniform, who had evidently made it the business of the evening to get introduced to her. Indeed, for an hour he had been feasting his eyes upon her fresh young beauty, and, having gone to infinite trouble to get presented to her, had been rewarded for his trouble by a little friendly smile, a shake of the head, and a distinct but kindly refusal to join in the mazy dance.,
A very charming vision clad in Oxford shirting, and with a great white hat tied beneath her rounded chin with blue ribbons,—something in the style of a Sir Joshua Reynolds,—emerges from among the low-lying firs at this moment. Having watched the (seemingly) light catastrophe from afar, and being apparently amused by it, she now gives way to unmistakable mirth and laughs aloud. When Mona laughs, she does it with all her heart, the correct method of suppressing all emotion, be it of joy or sorrow,—regarding it as a recreation permitted only to the vulgar,—being as yet unlearned by her. Therefore her expression of merriment rings gayly and unchecked through the old wood.,
Perhaps Longfellow has more cleverly—and certainly more tenderly—than any other poet described the earlier approaches of the god of Love, when he says,—.
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