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“She’ll be afraid to sleep in the downstairs bedroom,” Mrs. Bennett reflected, planning rapidly for the unexpected child whom she still had no thought of turning from her door. For two days the aromas from the kitchen had been such as to dispel the gloom from Moses’ countenance, and hope and anticipation blended on his youthful visage. The Wopp parlor was seldom entered, except on very special occasions or when Mrs. Wopp with formality and no undue haste dusted the furniture. The room had an air of solemnity and gloom, absent in the cheerful dining-room where the family usually sat. A homemade rag carpet covered the floor. Six slippery, horsehair chairs, one of them a rocker, and a horsehair couch, which did not invite confidence, were ranged stiffly around the sides of the room. In one corner was an ancient organ, wheezy and querulous with neglect, and in another stood a lofty what-not, on whose numerous shelves were deposited the family treasures. Here, was a woolly lamb at one time beloved of Moses; there his tin savings bank. Stiffly upright stood Betty’s wax doll Hannah, seldom played with and then only for a few minutes at a time. Mrs. Wopp was represented by a few shell boxes and a match box of china flanked by a sleek china cat..
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Conrad
Along the ridge of soft sand left by receding waters Billy let his first contract to Harold, who immediately marshalled the “kindergarten” with their broken fire shovels, kitchen spoons, what not, and set them to digging briskly. “Straight to the line, mind you,” he sang out from time to time, as he set his pins along the line the “engineers had run.” Max was superintendent of telegraph construction; and Charley Strong, “the Strong Man,” and Jackson contracted for the tunnel. They were to start from each side, meet exactly in the middle in sixty days,—a minute stood for a day,—or pay five million dollars fine. And over all Billy kept a watchful eye, cast the glamour of his eager spirit. Ebenezer Wopp became the grateful recipient of a quire of paper for notes. Miss Gordon was enabled to add to the decorations of her bureau a celluloid pictureframe on which were painted vivid blue and pink forget-me-nots. Mrs. Wopp reckoned “to git great comfort fer her corns an’ bungions” in a pair of soft house-shoes. “Kettle’s a-bilin’, Glory Girl, an’ Par an’ Mose’d like a cup of tea; but ’fore you leave the organ, play ‘Greenland Icy Mountains,’ it’s been runnin’ in my head orl day.” On the wall hung a gilt-framed portrait, which rumor said represented Ebenezer Wopp, a wreath of carefully made wax flowers, a silver coffin-plate framed and bearing the name and date of demise of Mr. Wopp’s mother, and two or three colored chromos..
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