One evening, on her way home from a theatre, she met Flossie. “Can’t stop now,” said Flossie, who was hurrying. “But I want to see you: most particular. Was going to look you up. Will you be at home to-morrow afternoon at tea-time?” “It was quite good—the matter of it,” Joan told her. “All Roads lead to Calvary. The idea is that there comes a time to all of us when we have to choose. Whether, like your friend Carlyle, we will ‘give up things’ for our faith’s sake. Or go for the carriage and pair.”!

“Why did we all like him?” asked Joan. “Even Miss Lavery. There’s nothing extraordinary about him.” The speaker ceased. There came a faint sound at which she turned her head; and when she looked again he was gone.

“But if she’s already engaged to him, why risk criticism of him,” argued Joan, ignoring Madge’s flippancy. “It’s too late.” They remained for a while with their arms round one another. It struck Joan as curious, even at the time, that all feeling of superiority had gone out of her. They might have been two puzzled children that had met one another on a path that neither knew. But Joan was the stronger character. Hilda! Why had she never thought of it? The whole thing was so obvious. “You ought not to think about yourself. You ought to think only of him and of his work. Nothing else matters.” If she could say that to Joan, what might she not have said to her mother who, so clearly, she divined to be the incubus—the drag upon her father’s career? She could hear the child’s dry, passionate tones—could see Mrs. Phillips’s flabby cheeks grow white—the frightened, staring eyes. Where her father was concerned the child had neither conscience nor compassion. She had waited her time. It was a few days after Hilda’s return to school that Mrs. Phillips had been first taken ill.