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A grey light began to be visible through the windows. Whereupon horse blankets were pressed into service and the accusing daylight was shut out. Some of the more conservative members of the party began to think of home. Among these was Ebenezer Wopp who had not danced since the opening set. He had sat for some hours in a comatose condition, except when he was aroused for a few moments by a nudge or pinch administered by his energetic wife. Zalhambra was a vaudeville artist. His was the star act on each bill. He was undeniably a genius; it needed but a few bars of fortissimo plus crescendo to realize that he was a virtuoso of the first rank. When he played a Rag the audience shouted with delight; but when he sprinkled torrential cadenzas through the dizzying syncopation, like some mighty giant tossing meteors into a handful of fire-crackers, something like an electric shock stirred his hearers. “What is Betty like?”.
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Conrad
Finally, Ebenezer Wopp’s musings, which had been gathering force as he worked, burst into speech. For a quiet man he became almost oratorical. Then he fell to soliloquizing audibly. All went well with the preparation; and on a glorious spring night in the full moon, the town and countryside jammed the Opera House “to its eyebrows,” Billy said, looking through the peephole in the curtain to the high window seats crowded with boys. With a start and plunge the surprised horses, now thoroughly indignant, set off at a gallop. “Well I only go ’way about onct in a blue moon,” declared Mrs. Wopp, “an’ I feel so unsartin ’bout everything. Here we are a pack of Gadarene swine goin’ orff to a great city to eat husks I s’pose like the prodigal son. Never mind Ebenezer we’ll come back right glad I’ll bet to the fatted calf.” She pinched his ear in an elephantine playfulness as though he might be the fatted calf himself..
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