She sent a brief letter round to Phillips, and a telegram to the nurse, preparing them for what she meant to do. She had just time to pack a small trunk and catch the morning train. At Folkestone, she drove first to a house where she herself had once lodged and fixed things to her satisfaction. The nurse was waiting for her in the downstairs room, and opened the door to her. She was opposed to Joan’s interference. But Joan had come prepared for that. “Let me have a talk with her,” she said. “I think I’ve found out what it is that is causing all the trouble.” “A Labourer, together with man, according to Saint Paul,” Joan answered.!

“It doesn’t seem to answer,” grumbled Madge. “One is always told it is the artist—the brain worker, the very men who have these fine instincts, who are the most sexual.” “Your friends, that you never had any. And your enemies, that they are always the latest,” she informed him.

She must have knelt and stood mechanically, for the service was ended. The pulpit was occupied by an elderly uninteresting-looking man with a troublesome cough. But one sentence he had let fall had gripped her attention. For a moment she could not remember it, and then it came to her: “All Roads lead to Calvary.” It struck her as rather good. Perhaps he was going to be worth listening to. “To all of us, sooner or later,” he was saying, “comes a choosing of two ways: either the road leading to success, the gratification of desires, the honour and approval of our fellow-men—or the path to Calvary.” Beauty. That was the key to the riddle. All Nature: its golden sunsets and its silvery dawns; the glory of piled-up clouds, the mystery of moonlit glades; its rivers winding through the meadows; the calling of its restless seas; the tender witchery of Spring; the blazonry of autumn woods; its purple moors and the wonder of its silent mountains; its cobwebs glittering with a thousand jewels; the pageantry of starry nights. Form, colour, music! The feathered choristers of bush and brake raising their matin and their evensong, the whispering of the leaves, the singing of the waters, the voices of the winds. Beauty and grace in every living thing, but man. The leaping of the hares, the grouping of cattle, the flight of swallows, the dainty loveliness of insects’ wings, the glossy skin of horses rising and falling to the play of mighty muscles. Was it not seeking to make plain to us that God’s language was beauty. Man must learn beauty that he may understand God. “Yes,” answered Joan with a laugh. “They were pretty awful, some of them.”