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Mrs. Wopp drew the green curtains together and turned to the smallest girl in the class.,

A shiver chased up and down Billy’s spine. He knew the Sheriff by sight only; and he was so inseparable from the handcuffs the boy had seen protruding from a pocket, that Billy felt it would “almost fasten suspicion on a fellow just to be seen speaking to the officer.”,

Mrs. Bennett seemed to know exactly what to do. She took out and displayed to May Nell some of the generous gift of child’s wear sent by Mrs. Dorr from the wardrobe of the twins, placed the basket within the door, and introduced the children. Billy wondered what else might be in the basket that made it “act so heavy; it couldn’t be shoes.” He looked critically at May Nell’s small feet.,

Betty had a conviction, though an unspoken one, that Moses was the primary cause of Job’s infirmity. The slowest of a large family of striped fluffy turkeys to emerge from the shell, he had been assisted in his efforts by the impatient Moses. Betty felt sure that the clumsy fingers of the boy had ruined the little turkey’s eye. The accusation, however, was too dreadful to be put into words.

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Billy had the excitable musical temperament. He spent his forces lavishly, and it was because of this that he was a leader; could think and act quickly in emergencies, as when he saved the operetta from failure. Edith and her mother knew that he had lived hard through the past few weeks, that next to Edith herself he had carried the entertainment, though Jean had been a host also. So it pleased Mrs. Bennett that afternoon to see Billy start off alone for the country.,

Vigorously all joined in the closing hymn and Mrs. Wopp’s high soprano could be heard above all the other voices. A sense of duty well performed added even greater power to the vocal billowing.,

The disgusted artist got up and with a huge hand wiped his handkerchief across his perspiring brow. He was short and very thick set, with prominent forehead, bulging black eyes, coarse nose, thick red lips.,

“Leave the boy be, Lize,” directed Ebenezer Wopp, whom the pride-inspiring events of the evening had rendered more self-assertive than usual. “He aint crowin’ none, an’ what he done brung credit to the hullo’ us.”