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An old crone is sitting over a turf fire that glows and burns dimly in its subdued fashion. Hanging over it is a three-legged pot, in which boil the "praties" for the "boys'" dinners, who will be coming home presently from their work.,

That he—who has known so many seasons, and passed through the practised hands of some of the prettiest women this world can afford, heart-whole, and without a scratch—should fall a victim to the innocent wiles of a little merry Irish girl of no family whatever, seems too improbable even of belief, however lovely beyond description this girl may be (and is), with her wistful, laughing, mischievous Irish eyes, and her mobile lips, and her disposition half angelic, half full of fire and natural coquetry.,

"What luck to find you here," says Geoffrey, stooping over the industrious spinner, and (after the slightest hesitation) kissing her fondly in spite of the presence of the old woman, who is regarding them with silent curiosity, largely mingled with admiration. The ancient dame sees plainly nothing strange in this embrace of Geoffrey's but rather something sweet and to be approved. She smiles amiably, and nods her old head, and mumbles some quaint Irish phrase about love and courtship and happy youth, as though the very sight of these handsome lovers fills her withered breast with glad recollections of bygone days, when she, too, had her "man" and her golden hopes. For deep down in the hearts of all the sons and daughters of Ireland, whether they be young or old, is a spice of romance living and inextinguishable.,

Doatie and Geoffrey have walked to a distant slit. Nolly is gazing vacantly through another, trying feebly to discern the landscape beyond. Lady Rodney is on thorns. They are all listening to what Mona is going to say next.

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"Do not ever speak to me like that again," says Mona, turning upon him eyes humid with disappointment, yet free from wrath of any kind. "As for Mr. Moore," with a curl of her short upper lip that it does him good to see, and a quick frown, "why, he is as old as the hills, and as fat as Tichborne, and he hasn't got a single hair on his head!",

"'Who excuses himself, accuses himself,'" quotes Geoffrey. "I want no reasons for your rejection. It is enough that I know you do not care for me.",

"In spite of all that has passed, I do entreat you to meet me at three o'clock this afternoon at the river, beneath the chestnut-tree. Do not refuse. Let no shrinking from the society of such as I am deter you from granting me this first and last interview, as what I have to say concerns not you, but those you love. I feel the more sure you will accede to this request because of the heavenly pity in your eyes last night, and the grace that moved you to address me as you did. I shall wait for you until four o'clock. But let me not wait in vain.—P. R.",

But, though "lost to sight," to memory he is most unpleasantly "dear." Standing alone in the middle of the deserted field, Mona pulls to pieces, in a jerky, fretful fashion, a blade of grass she has been idly holding during the late warm discussion. She is honestly very much frightened at what she has done, but obstinately declines to acknowledge it even to her own heart. In a foolish but natural manner she tries to deceive herself into the belief that what has happened has been much to her own advantage, and it will be a strict wisdom to rejoice over it.