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"That's your 'sensitive, artistic temperament,' as Mrs. Hand calls it. It must be awfully trying, though, not to be able to babble when you're pleased. It's such a relief to get it out of your system. I'd simply burst if I tried to keep quiet when I felt excited.",

Counsel for the crown: "I shall prove it and at once. The jury are now in possession of all the facts of this very interesting case, and every detail will be confirmed by the most responsible witnesses. Call Major Jen.",

Patricia sighed contentedly. "How nice you all are!" she said appreciatively. "I thought you'd all be disgusted with me if I quit. After Mr. Grantly said that study of Ju showed promise, I nearly wore myself to a bone trying to make good. I've been scared stiff about it.",

"Ah, but how about Doris?" questioned Elinor sadly. "Isn't she to be remembered?"

Ten years of prestige

"No. I have no idea why Dido should serve Etwald.",

Among the palms and costly rugs that backgrounded a marvelous regal dais occupying one long end of the great room, sat the glittering figure of the portly Haroun-al-Raschid, Sultan of Bagdad and husband of many lovely wives, whose multi-colored costumes made a glowing garden on the rugs at the foot of the dais, while on the embroidered cushions at the side of the monarch a lovely Scheherazade in shimmering white satin with strings of glistening gems in her hair, on her breast, on her arms and ankles, made an alluring picture of the new-made bride. Tall palms reared their stately fronds above the group and slave girls, with fierce Nubians in attendance, waited in mute homage at either side of the throne. Lamps of brass glittered in the alcoves back of the great dais, and above it all the roofs and minarets of the ancient city gloomed in the moonlight of the thousand and second night.,

Elinor hesitated. "I don't know," she replied slowly, measuring her words. "I can't put my finger on it, but she doesn't seem the same to me as she did at first. She isn't jealous of my poor work, of course, but I can feel a something—a wall or barrier—that she raises up between us whenever my work is spoken of. I felt it when we talked about the subject of the prize designs, and I felt it today more clearly than ever. We can't be friends any more as we were, I'm afraid. Something has come between us. 'The little rift within the lute,'" she quoted sorrowfully.,

"Better," said Griffin tersely. "We're so filled with other people's ideas that we've degenerated into regular copy-cats. I can't undertake any subject but that I have a lot of designs by famous painters popping into my mind and mixing me up horribly."