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"Come and sit by me. You can spare me a few minutes," she says, drawing her ample skirts to one side. Mona, taking her hand from Lauderdale's arm, drops into the proffered seat beside his mother, much to that young man's chagrin, who, having inherited the material hankering after that "delightful prejudice," as Theocritus terms beauty, is decidedly epris with Mrs. Geoffrey, and takes it badly being done out of his tete-a-tete with her. He touches his hat to her, and bids her a respectful "good afternoon," but for once she is blind to his salutation. Nevertheless, she stops before him, and, in a clear voice, says, coldly,— "From the Louvre. They are in Paris.".
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Conrad
"Good gracious! he can't mean that he is tired of her already," exclaims Mr. Darling, in an audible aside. "That would be too much even for our times." "Well, she can laugh, if you mean that," says Geoffrey somewhat superciliously. And then, as though overcome with some recollection in which the poor little criminal who is before the bar bore a humorous part, he lays his head down upon the mantelpiece and gives way to hearty laughter himself. "She is that. More than I can say. An' keeps things together, too. She is clever like her father, an' he was on the fair way to make a fortune. Ay, I always say it, law is the thing that pays in Ireland. A good sound fight sets them up. But I'm keeping you, sir, and your gun is waitin' for ye. If you haven't had enough of me company by this," with another jolly laugh, "I'll take ye down to a field hard by, an' show ye where I saw a fine young covey only yesternight." "You are hurt!" interrupts he, with passionate remorse. "I see it all now. Stepping into that hateful stream to save me, you injured yourself severely. You are in pain,—you suffer; whilst I——".
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