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"I was not listening at the door," says Mona, with dignity, yet with extreme difficulty: some hand seems clutching at her heart-strings, and he who should have been near to succor her is far away. "I never," haughtily, "listened at a door in all my life. I should not understand how to do it." Her Irish blood is up, and there is a distinct emphasis upon the pronoun. "You have wronged me twice!", "Yes?" says Mona, who looks and is, intensely interested., "Nay, hear me," exclaims he, turning for the first time to comfort her; and, as he does, she notices the ravages that the last hour of anxiety and trouble have wrought upon his face. He is looking thin and haggard, and rather tired. All her heart goes out to him, and it is with difficulty she restrains her desire to run to him and encircle him with her soft arms. But something in his expression prevents her..