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"Time will soften her grief," says Rodney, with an attempt at soothing. "And she is young; she will marry again, and form new ties." "If it is too much for you, darling, say so," whispers he; "or shall I go with you?" "I don't, but I know Lady Mary and Miss Blake always get their things from a woman called Manning.".
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"I shall tell you," exclaims she, in a higher tone, her pale-blue eyes flashing. "Two hours ago my own maid received a note from Paul Rodney's man directed to your wife. When she read it she dressed herself and went from this house in the direction of the wood. If you cannot draw your own conclusions from these two facts, you must be duller or more obstinate than I give you credit for." THE BLACKFEET CREATION "There," he said, "go and take the flesh of those animals." Then the people tried to do so. They tried to tear the limbs apart, but they could not. They tried to bite pieces out of the bodies, but they could not do that. Old Man went to the edge of the cliff and broke some pieces of stone with sharp edges, and showed them how to cut the flesh with these. Of the buffalo that went over the cliff, some were not dead, but were hurt, so they could not run away. The people cut strips of green hide and tied stones in the middle, and with these hammers broke in the skulls of the buffalo and killed them. And by degrees, beneath her influence, Mona grows pale and distrait and in many respects unlike her old joyous self. Each cold, reproving glance and sneering word,—however carefully concealed—falls like a touch of ice upon her heart, chilling and withering her glad youth. Up to this she has led a bird's life, gay, insouciant, free and careless. Now her song seems checked, her sweetest notes are dying fast away through lack of sympathy. She is "cribbed, cabined, and confined," through no fault of her own, and grows listless and dispirited in her captivity..
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