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At this point the house comes in view, and conversation languishes. The women give a small touch to their furs and laces, the men indulge in a final yawn that is to last them until the gates of Anadale close behind them again. She says this steadily, and very proudly, with her head held high, but without looking at him; which permits Geoffrey to gaze at her exhaustively. There is an unconscious meaning in her words, quite clear to him. She is of "the people," he of a class that looks but coldly upon hers. A mighty river, called Caste, rolls between them, dividing him from her. But shall it? Some hazy thought like this floats through his brain. They walk on silently, scarcely exchanging a syllable one with the other, until they come within sight of a small thatched house built at the side of the road. It has a manure-heap just in front of it, and a filthy pool to its left, in which an ancient sow is wallowing, whilst grunting harmoniously. "To what part of Ireland?".
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The son-in-law and his wives came home, bringing the meat, and after a little time they heard the child in the next lodge crying. The son-in-law said to his youngest wife, "Go over to your mother's and see whether that baby is a boy or a girl. If it is a boy, tell your parents to kill it." "Not very soon. But some time, of course, I must go." "I pity your wife," says Mona, almost severely. "No. Of course I remember you now," says Mona, taking all this nonsense as quite bona fide sense in a maddeningly fascinating fashion. "How unkind I have been! But I was listening to the music, not to our introduction, when Sir Nicholas brought you up to me, and—and that is my only excuse." Then, sweetly, "You love music?".
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