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"Well, really, now you say it," says Geoffrey, as though suddenly struck with a satisfactory idea, "it is uncommonly like Nolly's tale: when you come to compare one with the other they sound almost similar." He does not see Mona until he is within a yard of her, a thick bush standing between him and her. Being always a creature of impulse, she has stood still on seeing him, and is lost in wonder as to who he can be. One hand is lifting up her gown, the other is holding together the large soft white fleecy shawl that covers her shoulders, and is therefore necessarily laid upon her breast. Her attitude is as picturesque as it is adorable. "Well," said the young man, "where is your piskun—where do you kill buffalo?".

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He tells Mona she is very welcome, and, still holding her hand, draws her over to the fire, and moves a big arm-chair in front of it, in which he ensconces her, bidding her warm herself, and make herself (as he says with a kindly smile that has still kinder meaning in it) "quite at home." "That is not correct," says Mona. "We have a baronet here, Sir Owen O'Connor, and he is thought a great deal of. I know all about it. Even Lady Mary would have married him if he had asked her, though his hair is the color of an orange. Mr. Rodney,"—laying a dreadful stress upon the prefix to his name,—"go back to England and"—tragically—"forget me?" "Put down your pistol, sir," she says, hastily. "Would you fire on a woman?" Her tone, though hurried, is not oppressed with fear. She even advances a few steps in his direction. Her words, her whole manner, fill him with admiration. The extreme courage she betrays is, indeed worthy of any man's laudation, but the implied trust in his chivalry touches Paul Rodney more than anything has ever had power to touch him before. "I shall do nothing of the kind," says Mr. Rodney, indignantly. "And if you address me in that way again I shall cut my throat.".