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“No, no, the Fo’castle! I—Here they come!” Billy set down some cups with dangerous haste and ran out. Moses Wopp, not quite reconciled to this unexpected order of things, as it seemed to involve a protracted fast for his already clamoring stomach, nevertheless made haste to obey his father’s instructions. Josh and Jake were quickly unhitched and led into the stable. They were accommodated with a mangerful of hay, which they immediately fell to munching. Moses then ran after Mr. Wopp and Clarence, who were already busily searching the wooded banks of the creek, thoroughly scrutinizing the underbrush, which in some places was exceedingly dense and tangled. Within the next half-hour they were joined by four other men, despatched by Mrs. Mifsud, and the whole party proceeded slowly and carefully down the creek, some one of the number occasionally shouting the name of the lost boy. “Mith Wopp,” offered Lila Williams with a dignity befitting her eight years and her enviable position as daughter of the regular teacher, “my ma wont let Pete and Pat thit together, they act too thilly.”.

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The first sign of return to health was indicated by a slight querulousness that invalids seem to claim as their prerogative. The convalescent wanted books and pictures, her discarded favorite, Hannah, stiff with long neglect, and her pets individually and collectively. Then having run the gamut of dumb playmates, she called for her beloved friends. From the waist down, Moses’ masculine and uncouth figure seemed to utter a dull protest against cut-me-downs. There are many forces in life that growing youths are not able to control. One of these, in the career of Moses, was the inexorable will of his mother that ordained homemade garments for his nether limbs. Made from his father’s discarded trousers of black and grey check, the new pair of abominations that adorned the legs of the youthful Wopp bore evidence to the unskilled fingers of the maker. They had the generous dimensions allowed by an imaginative and economical mind that could look into the future and could see legs lengthening and a general expansion. In fact, the coarse checked tweed fell in slight gathers, fore and aft. The dingy greenish-grey coat that slouched from Moses’ shoulders did not fail to heighten the effect, but seemed to set the costume in italics. The scene ended in a crash of music; the curtain fell to a house wild with cheering. Edith and the principal performers were called again and again before the curtain. It was a generous, appreciative audience, giving its heartiest approval by rising. “Poor little Billy! You’ve had a hard night of it.”.