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It is midday, and Geoffrey, gun in hand, is idly stalking through the sloping wood that rises behind Mangle Farm. The shooting he has had since his arrival in Ireland, though desultory,—perhaps because of it,—has proved delightful in his sight. Here coveys come upon one unawares, rising out of fields when least expected, and therefore when discovered possess all the novelty of a gigantic surprise. Now and then he receives kindly warning of birds seen "over night" in some particular corner, and an offer to escort him to the scene of action without beat of drum. "Your wife?" repeats she, in soft, lingering tones, and a little tender seraphic smile creeps into her eyes and lies lightly on her lips. "But I am not fit to be that, and——" "I'll take it," says Nicholas; "but, even if you did, I should still owe you a debt of gratitude for bringing Doatie here thirty minutes before we hoped for her.".
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"It doesn't matter. Come upstairs with me, Mona. I want to tell you all about it," says Doatie. The reaction has set in, and she is again tearful, and reduced almost to despair. The woman went on and got the water, and when she came back she took the stone and gave it to her husband, telling him about the song and what the stone had said. "Is that the girl who spoke to you, Geoffrey, at the tea room door?" asks Mona, with some animation. "Dear me! what a terribly unpleasant young man!" thinks Mona, at her wits' end to know what to say next. Tapping her fingers in a perplexed fashion on the table nearest her, she wonders when he will cease his exhaustive survey of the walls and give her an opportunity of leaving the room..
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