She walked with him to Euston and saw him into the train. He had given up his lodgings and was living with her father at The Pines. They were busy on a plan for securing the co-operation of the workmen, and she promised to run down and hear all about it. She would not change her mind about Birmingham, but sent everyone her love. “I don’t think she was happy,” answered Joan. “She was at first. As a child, I can remember her singing and laughing about the house, and she liked always to have people about her. Until her illness came. It changed her very much. But my father was gentleness itself, to the end.”!

It was a morning or two later that, knocking at the door of her loft, he asked her if she would care to come with him to the trenches. He had brought an outfit for her which he handed to her with a grin. She had followed Folk’s advice and had cut her hair; and when she appeared before him for inspection in trousers and overcoat, the collar turned up about her neck, and reaching to her helmet, he had laughingly pronounced the experiment safe. Joan grew angry. “If you choose to suspect evil, of course you can,” she answered with hauteur. “But you might have known me better. I admire the man and sympathize with him. All the things I dream of are the things he is working for. I can do more good by helping and inspiring him”—she wished she had not let slip that word “inspire.” She knew that Flossie would fasten upon it—“than I can ever accomplish by myself. And I mean to do it.” She really did feel defiant, now.

He did not ask her how she had learnt it. “She gave it up when we were married,” he said. “The people she would have to live among would have looked askance at her if they had known. There seemed no reason why they should.” In the end she would go into Parliament. It would be bound to come soon, the woman’s vote. And after that the opening of all doors would follow. She would wear her college robes. It would be far more fitting than a succession of flimsy frocks that would have no meaning in them. What pity it was that the art of dressing—its relation to life—was not better understood. What beauty-hating devil had prompted the workers to discard their characteristic costumes that had been both beautiful and serviceable for these hateful slop-shop clothes that made them look like walking scarecrows. Why had the coming of Democracy coincided seemingly with the spread of ugliness: dull towns, mean streets, paper-strewn parks, corrugated iron roofs, Christian chapels that would be an insult to a heathen idol; hideous factories (Why need they be hideous!); chimney-pot hats, baggy trousers, vulgar advertisements, stupid fashions for women that spoilt every line of their figure: dinginess, drabness, monotony everywhere. It was ugliness that was strangling the soul of the people; stealing from them all dignity, all self-respect, all honour for one another; robbing them of hope, of reverence, of joy in life. “What is he like?” asked Joan.