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Mona starts, and regards him fixedly in a puzzled, uncertain manner. What he can possibly mean is unknown to her; but yet she is aware of some inward feeling, some instinct such as animals possess, that warns her to beware of him. She shrinks from him, and in doing so a slight fold of her dress catches in the handle of a writing-table, and detains her. "I have read so few," she says, wistfully, and with hesitation. Then, shyly, "I have so few to read. I have a Longfellow, and a Shakspeare, and a Byron: that is all." "Well," said the young man, "where is your piskun—where do you kill buffalo?".
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"Ay, it looks pretty and gives the child something to do." There is a regretful ring in his tone that induces Geoffrey to ask the next question. The fire blazes up fiercely, and anon drops its flame and sinks into insignificance once more. Again the words that bear some vague but as yet undiscovered meaning haunt Mona's brain. "A splendid scheme." A vile conspiracy, perhaps. Oh, that she might be instrumental in saving these people from ruin, among whom her lot had been cast! But how weak her arm! How insufficient her mind to cope with an emergency like this! No answer. "Poor soul! poor soul!" says Mona, brokenly; then she drops her hand, and the woman, turning again to the lifeless body, as though in the poor cold clay lies her only solace, lets her head fall forward upon it..
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