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She is clad in a long white dressing-gown, loose, yet clinging, that betrays each curve of her svelte, lissom figure. It is bordered with swansdown, and some rich white lace, that sits high to her neck and falls over her small hands. Her hair is drawn back into a loose knot, that looks as if it would tumble down her back should she shake her head. She is pale, and her eyes are peculiarly large and dark from excitement. They are fixed upon Rodney with a gaze that belies all idea of fear, and her lips are compressed and somewhat dangerous. Mona, seeing it, moves away from Geoffrey, and, going stealthily up to the table, lays her hand upon the pistol, that is still lying where last she left it. With a quick gesture, and unseen she covers it with a paper, and then turns her attention once more upon the two men. "Well, I shall go and judge of Killarney myself some day," he says, idly..
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An hour later, coming out of it again, feeling harassed and anxious, he finds Dorothy walking restlessly up and down the corridor outside, as though listening for some sound she pines to hear. Her pretty face, usually so bright and debonnaire, is pale and sad. Her lips are trembling. Mona hardly hears him. She is thinking of Nicholas's face as it was half an hour ago when he had leaned against the deserted doorway and looked at pretty Dorothy. "We have all to do that at times," says Sir Nicholas. "And there is another person, mother, I shall be glad if you will send a card to." "I don't mean that; but how could you look?".
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