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Now, Lady Rodney is at home, but, having given strict orders to the servants to say she is anywhere else they like,—that is, to tell as many lies as will save her from intrusion,—is just now reposing calmly in the small drawing-room, sleeping the sleep of the just, unmindful of coming evil. Slowly he draws from his pocket a paper, folded neatly, that looks like some old parchment. Mona draws her breath quickly, and turns first crimson with emotion, then pale as death. Opening it at a certain page, he points out to her the signature of George Rodney, the old baronet. He climbed far up the mountainside and hid among the pines and slept, but when day came he awoke and crept out to a point where he could see the camp. He saw the smoke rising as the women kindled their morning fires; he saw the people going about through the camp, and then presently he saw many people rush up on the hill where he had left the dead enemy. He could not hear their angry cries, nor their mournful wailings, but he knew how badly they felt, and he sung a song, for he was happy..
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Conrad
"Yet even were it so you would love me, Mona?" "Do you mean that you would really miss me if I left you for only one day?" he asks, delightedly. "Mona, tell me the truth." "It is unfortunate for every one," says Violet, disconsolately, sinking in a low chair. "Such a dear house, and to have it broken up and given into the possession of such a creature as that." She shrugs her shoulders with genuine disgust. But Mona in such a case as this prefers being "taken in" (though she may object to the phrase), and in process of time grows positively fond of Lady Rodney..
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