“Why didn’t they want them?” she asked. “What’s become of it?” asked Joan. “The child?”!

“They afford much food for reflection,” thought Mr. Simson, “though I cannot myself go as far as you do in including Christianity under that heading.” She seldom discussed the war with her father. At the beginning, he had dreamed with Greyson of a short and glorious campaign that should weld all classes together, and after which we should forgive our enemies and shape with them a better world. But as the months went by, he appeared to grow indifferent; and Joan, who got about twelve hours a day of it outside, welcomed other subjects.

She introduced her. Miss Tolley bowed; and allowed herself to be drawn away by a lank-haired young man who had likewise been waiting for an opening. He represented the Uplift Film Association of Chicago, and was wishful to know if Miss Tolley would consent to altering the last chapter and so providing “Running Waters” with a happy ending. He pointed out the hopelessness of it in its present form, for film purposes. “No,” explained the Human Document, in the same quick, even tones; “so far as I was concerned, I was not conscious of any alteration in my own attitude. But he felt the need of more solitude—for his development. We parted quite good friends.” “Oh, a little,” she answered. “He’s absolutely sincere; and he means business. He won’t stop at the bottom of the ladder now he’s once got his foot upon it.”