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“You have, you have, dear baby! I’ll be your mother, and you can call me ‘mamma’ as Billy does.” The whole garden had been fenced in as a precaution against the encroachment of predatory animals. Molly, the inquisitive black cow, or Josh and Jake, who had no proper sense of the fitness of things, would have liked nothing better than to sample Mrs. Wopp’s prize turnips and scanty crop of Indian corn, and to trample into the soft earth whatever did not suit their dainty palates. That ardent daughter of Jubal sighed, not for the encroachment on her Sunday afternoon leisure hour, but because she had found out the lesson was to be on Jonah and the whale. She had always been partial to the story of the ravens feeding Elijah and to the parable of the Prodigal Son. She felt that her temperament inclined her most to stories where hospitality and mouthwatering descriptions of hunger appeased provided the dramatic interest. Well she knew that the Tishbite and the erring son who returned to the feast of fatted calf would have received full justice at her hands. As for Jonah, and the whale with the inordinate oesophagus, she would do her best..

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They fired up. An ominous sizz and clatter began. Five pairs of hands shoved the smart boat into the water at May Nell’s feet. The children shouted. The dog barked and the chickens cackled. And above all the din May Nell’s sweet voice rang out, “I christen thee, O wondrous vessel, The Fair Ellen.” She improvised hastily; for no one had thought to prepare a speech for the occasion. “Mamma, Pretty’s finishing the lawn for me; can’t I rub the floors right now? The Gang’s coming and we want to do a lot to-day.” “Last November.” Edith worked very hard. She called her operetta “The Triumph of Flora.” The words were her own, written hurriedly and set to familiar though classic airs. Yet many of the daintiest, most tripping melodies she wrote herself. The sorrows of humanity had winged her brain and dipped her pen in harmonies, that she might assuage them..