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Mere beauty of form and feature will fade indeed, but Mona's beauty lies not altogether in nose or eyes or mouth, but rather in her soul, which compels her face to express its lightest meaning. It is in her expression, which varies with each passing thought, changing from "grave to gay, from lively to severe," as the soul within speaks to it, that her chief charm dwells. She is never quite the same for two minutes running,—which is the surest safeguard against satiety. And as her soul is pure and clean, and her face is truly the index to her mind, all it betrays but endears her to and makes richer him who reads it. "Does he mean going himself?" says Nicholas, idly. "He is here to-day, I know, but one never knows where he may be to-morrow, he is so erratic." "Yes,—in a regular hole, you know," says Mr. Rodney. "It is rather a complicated story, but the truth is, my grandfather hated his eldest son—my uncle who went to Australia—like poison, and when dying left all the property—none of which was entailed—to his second son, my father.".

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"Do not fear," said Red Robe, "do not fear, my mother, his anger and his power are no longer to be feared. He is as feeble and as helpless as one of those old bulls one sees on the sunny side of the coulée, spending his last days before the wolves pull him down." "You used to be tremendous friends there at one time," says Geoffrey; "never out of the house." "As berries," says Mona, genially. "No, she was not in the lodge, but two women were approaching as I left it. I think they were the girl and her mother.".