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She lays her hand upon her heart, as though she would say, "The wound lies here," and once more turns to the door. "And do say it is like it," says Mona, entreatingly. "Is she by herself? Is there nobody living with her?" asks Mona, somewhat nervously..

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"Dan? He was a fine man, surely; six feet in his stockin', he was, an' eyes like a woman's. He come down here an' met her, an' she married him. Nothing would stop her, though the parson was fit to be tied about it. An' of course he was no match for her,—father bein' only a bricklayer when he began life,—but still I will say Dan was a fine man, an' one to think about; an' no two ways in him, an' that soft about the heart. He worshipped the ground she walked on; an' four years after their marriage she told me herself she never had an ache in her heart since she married him. That was fine tellin', sir, wasn't it? Four years, mind ye. Why, when Mary was alive (my wife, sir) we had a shindy twice a week, reg'lar as clockwork. We wouldn't have known ourselves without it; but, however, that's nayther here nor there," says Mr. Scully, pulling himself up short. "An' I ask yer pardon, sir, for pushing private matters on ye like this." At this Mona turns her gaze secretly upon him. She studies his hair, his gray eyes, his irregular nose,—that ought to have known better,—and his handsome mouth, so resolute, yet so tender, that his fair moustache only half conceals. The world in general acknowledges Mr. Rodney to be a well-looking young man of ordinary merits, but in Mona's eyes he is something more than all this; and I believe the word "ordinary," as applied to him, would sound offensive in her ears. "Come with me," says Mona to Rodney; and with an air of settled determination, and a hard look on her usually mobile lips, she moves deliberately towards the hawthorn-bush, that is about a quarter of a mile distant. Her eyes are large and blue, with a shade of green in them; her lips are soft and mobile; her whole expression is debonnaire, yet full of tenderness. She is brightness itself; each inward thought, be it of grief or gladness, makes itself outwardly known in the constant changes of her face. Her hair is cut above her forehead, and is quite golden, yet perhaps it is a degree darker than the ordinary hair we hear described as yellow. To me, to think of Dorothy Darling's head is always to remind myself of that line in Milton's "Comus," where he speaks of.