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Through the open door could be heard the strains of “Pull for the shore” sung with heart and soul by the intermediate class, and to that lively air Moses made for the exit as expeditiously as his sodden garments would allow. “‘One burnished sheet of living gold, The elders, having settled at their task, Maria Mifsud and Betty, who were considered too young and irresponsible to assist with such important work, made their way to the creek, that perennial source of amusement for the youthful. They were accompanied by Maria’s small brother, St. Elmo. Here, during the long summer afternoon they gaily disported themselves, even the rather dignified Maria entering with zest into childish fun..

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Betty reflected a moment. “When they got tired dancing they ’journed to the pansy bed. The queen set down on a big purple pansy that was jist like a lovely throne. The other fairies came an’ bowed low in front o’ her, then they gathered up their long silver trains an’ walked backwards. Then the queen rose up an’ walked all round among the flowers an’ the other fairies follered her. They waved their wands over all the flower beds, an’ that’s why they’ve all growed so lovely.” “What’s Jeth perched up there fer, Par?” demanded the boy. “This is like the cup I had at Mrs. Newman’s, in Calgary,” said Betty, then turning to Nell she asked, “Do you ’member the lovely chiner cups at Mrs. Newman’s, time Mr. Zalhamber was there?” Next followed a buckboard gaily painted red. Mrs. Mifsud and her daughter Maria aged fourteen who had taken a “quarter” of music lessons and was now the organist of the church, were occupants. Between them was wedged the pet of the family St. Elmo Mifsud a child of four. St. Elmo wore long chestnut curls and an angelic expression. Clarence Egerton Crump, Mrs. Mifsud’s nephew who was visiting his aunt and cousins, accompanied the family on his wheel..