Fleda by this time knew in what way she was affected: she became limp and weak again; she felt herself give everything up. Mixed with the horror, with the kindness of the station-master, with the smell of cinders and the riot of sound, was the raw bitterness of a hope that she might never again in life have to give up so much at such short notice. She heard herself repeat mechanically, yet as if asking it for the first time: "Poynton's gone?" "Too exciting for poor Mummy. She won't hear of it. She has been slating her fearfully. She says she's a 'barbarian.'"!

The door opened, and the smutty maid, edging in, announced "Mrs. Brigstock!" "I mean unless everything is different."

"Fancy your putting a question so indelicate? I should have put it—I mean in your place; but I'm quite coarse, thank God!" Fleda felt privately that she herself was coarse, or at any rate would presently have to be; and Mrs. Gereth, with a purpose that struck the girl as increasing, continued: "What, then, was the day to be? Wasn't it just one of these?" Her arrival took the form of a surprise very nearly as violent as that of the other time. The elements were different, but the effect, like the other, arrested her on the threshold: she stood there stupefied and delighted at the magic of a passion of which such a picture represented the low-water mark. Wound up but sincere, and passing quickly from room to room, Fleda broke out before she even sat down. "If you turn me out of the house for it, my dear, there isn't a woman in England for whom it wouldn't be a privilege to live here." Mrs. Gereth was as honestly bewildered as she had of old been falsely calm. She looked about at the few sticks that, as she afterwards phrased it, she had gathered in, and then hard at her guest, as if to protect herself against a joke sufficiently cruel. The girl's heart gave a leap, for this stare was the sign of an opportunity. Mrs. Gereth was all unwitting; she didn't in the least know what she had done, and as Fleda could tell her Fleda suddenly became the one who knew most. That counted for the moment as a magnificent position; it almost made all the difference. Yet what contradicted it was the vivid presence of the artist's idea. "Where on earth did you put your hand on such beautiful things?" "She can't have gone back," Fleda declared. "Mona would have written on the spot."