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One tall, ambitious girl contributed a unique float called, “Lot’s Wife Looking Backward.” She had not been certain of the color for the desert, consequently had made the whole thing, including the wagon, the boys, and herself snowy white. She had copied an old Bible picture, carrying out the idea with sheets, and such liberal doses of flour, that only a heavy dew was needed to turn the float to dough instead of salt. However, the sun shone, and the addition of diamond dust over all made a very realistic picture that Billy praised heartily.,

All went well with the preparation; and on a glorious spring night in the full moon, the town and countryside jammed the Opera House “to its eyebrows,” Billy said, looking through the peephole in the curtain to the high window seats crowded with boys.,

Services were over before she found time to be lonely. Dinner passed happily. The cats stayed quietly in their chair till dessert, when they came, one on either side of Edith, and stood with their forepaws on the table, their heads and shoulders above it.,

“Wisht that orful pitcher ’d fall inter the swill-pail an’ then turn a somerset in the soot-pile,” murmured the boy as he noticed the care exercised over its safety.

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CHAPTER XVI THE BRIDGE TO SAFETY,

From the waist down, Moses’ masculine and uncouth figure seemed to utter a dull protest against cut-me-downs. There are many forces in life that growing youths are not able to control. One of these, in the career of Moses, was the inexorable will of his mother that ordained homemade garments for his nether limbs. Made from his father’s discarded trousers of black and grey check, the new pair of abominations that adorned the legs of the youthful Wopp bore evidence to the unskilled fingers of the maker. They had the generous dimensions allowed by an imaginative and economical mind that could look into the future and could see legs lengthening and a general expansion. In fact, the coarse checked tweed fell in slight gathers, fore and aft. The dingy greenish-grey coat that slouched from Moses’ shoulders did not fail to heighten the effect, but seemed to set the costume in italics.,

“Them critters has swore more than I ever heerd sence the ketchup bottle fomented an’ bust an’ splashed orl over Par’s shirt an’ trickled down his pants.”,

“Here is Isobel. What kept you so late, young lady?” As Mr. Crump spoke he viewed the young girl with justifiable pride.