Fleda, drying her eyes, shook her head ever so sadly. "No, Mrs. Gereth, it isn't over. I can't do what you ask—I can't meet your condition." Fleda smiled again. "I haven't the least idea."!

In knowing a while before all she needed, Fleda had been far from knowing as much as that; so that once upstairs, where, in her room, with her sense of danger and trouble, the age of Louis Seize suddenly struck her as wanting in taste and point, she felt that she now for the first time knew her temptation. Owen had put it before her with an art beyond his own dream. Mona would cast him off if he didn't proceed to extremities; if his negotiation with his mother should fail he would be completely free. That negotiation depended on a young lady to whom he had pressingly suggested the condition of his freedom; and as if to aggravate the young lady's predicament designing fate had sent Mrs. Gereth, as the parlor-maid said, "up the back road." This would give the young lady more time to make up her mind that nothing should come of the negotiation. There would be different ways of putting the question to Mrs. Gereth, and Fleda might profitably devote the moments before her return to a selection of the way that would most surely be tantamount to failure. This selection indeed required no great adroitness; it was so conspicuous that failure would be the reward of an effective introduction of Mona. If that abhorred name should be properly invoked Mrs. Gereth would resist to the death, and before envenomed resistance Owen would certainly retire. His retirement would be into single life, and Fleda reflected that he had now gone away conscious of having practically told her so. She could only say, as she waited for the back road to disgorge, that she hoped it was a consciousness he enjoyed. There was something she enjoyed; but that was a very different matter. To know that she had become to him an object of desire gave her wings that she felt herself flutter in the air: it was like the rush of a flood into her own accumulations. These stored depths had been fathomless and still, but now, for half an hour, in the empty house, they spread till they overflowed. He seemed to have made it right for her to confess to herself her secret. Strange then there should be for him in return nothing that such a confession could make right! How could it make right that he should give up Mona for another woman? His attitude was a sorry appeal to Fleda to legitimate that. But he didn't believe it himself, and he had none of the courage of his suggestion. She could easily see how wrong everything must be when a man so made to be manly was wanting in courage. She had upset him, as people called it, and he had spoken out from the force of the jar of finding her there. He had upset her too, heaven knew, but she was one of those who could pick themselves up. She had the real advantage, she considered, of having kept him from seeing that she had been overthrown. She felt sick; she sank upon a seat, staring up at him. "Do you mean that great house is lost?"

"I see," said Owen, looking at his gloves. "I can give her a day or two, you know. Of course I didn't come down to sleep," he went on. "The inn seems a horrid hole. I know all about the trains—having no idea you were here." Almost as soon as his interlocutress he was struck with the absence of the visible, in this, as between effect and cause. "I mean because in that case I should have felt I could stop over. I should have felt I could talk with you a blessed sight longer than with Mummy." "For whom did he ask?" "I want you, inexpressibly, to have, as a remembrance, something of mine—something of real value. Something from Poynton is what I mean and what I should prefer. You know everything there, and far better than I what's best and what isn't. There are a lot of differences, but aren't some of the smaller things the most remarkable? I mean for judges, and for what they'd bring. What I want you to take from me, and to choose for yourself, is the thing in the whole house that's most beautiful and precious. I mean the 'gem of the collection,' don't you know? If it happens to be of such a sort that you can take immediate possession of it—carry it right away with you—so much the better. You're to have it on the spot, whatever it is. I humbly beg of you to go down there and see. The people have complete instructions: they'll act for you in every possible way and put the whole place at your service. There's a thing mamma used to call the Maltese cross and that I think I've heard her say is very wonderful. Is that the gem of the collection? Perhaps you would take it, or anything equally convenient. Only I do want you awfully to let it be the very pick of the place. Let me feel that I can trust you for this. You won't refuse if you will think a little what it must be that makes me ask."