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“That’s what I’m hurrying for. Mamma sent me on an errand to Mrs. Black’s and I want to be back at the station in time to see the train come in. I wish we were going to have a refugee. Wasn’t the earthquake awful?” “You hitch Jethro to yer ole ’xpress waggon, ’n I’ll hitch Job to a prune-box with spool-wheels,” suggested Betty. The dance was held in a new barn of which the floor was especially good. Indeed the young people of the family had seen to that. Unfortunately the stable end of the building was already in use and this proved to be somewhat inconvenient. During the festivities of the evening one delicate lady fainted from excitement and overpowering stable odors. She speedily revived, however, on being carried into the fresh air and soused with a bucket of cold water. The building was illuminated with lanterns and an occasional oil lamp. Benches were ranged along the walls. The crowd was large and as usual at these affairs men predominated in numbers. The dances were mostly square ones and when a husky caller-off became hoarse and exhausted with shouting, another took his place. He usually stood at one end of the building beside the fiddler..
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“This is a lyre, very old,” said Mr. Crump, handling an ancient instrument tenderly. Moses looked up suddenly, he hoped nothing he had said called forth the remark. The pianist walked on the stage as the eyes of Mrs. Wopp and Moses rested on Betty. Howard Eliot had not taken his gaze from Nell Gordon expecting momentarily to catch her glance and to be rewarded by a smile. A smile radiated her fair face, but alas! It was not for him. “Oh, please, Mrs. Lancaster,” Billy coaxed. “The circus won’t be any circus at all without Buzz. We’re to have him for a side show after the performance. We’ve advertised him,” Billy pleaded well. “Now Mosey, you be ticket man at the gate an’ I’ll hev the circus all ready,” cried Betty bounding into the house in the shortest possible time after the departure of the elderly merrymakers..
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