Fleda looked at her quiet face, which the appearance of slumber always made particularly handsome; she noted how much the ordeal of the last few weeks had added to its indications of age. "Well then, try me with something. What is it you demand?" Fleda immediately guessed from his tone that he had not come in to say what she supposed; there was even something in it to confirm Mrs. Gereth's belief that their danger had dropped. She was sure, moreover, that his tribute to Mona's taste was a repetition of the eloquent words in which the girl had herself recorded it; she could indeed hear, with all vividness, the pretty passage between the pair. "Don't you think it's rather jolly, the old shop?" "Oh, it's all right!" Mona had graciously remarked; and then they had probably, with a slap on a back, run another race up or down a green bank. Fleda knew Mrs. Gereth had not yet uttered a word to her son that would have shown him how much she feared; but it was impossible to feel her friend's arm round her and not become aware that this friend was now throbbing with a strange intention. Owen's reply had scarcely been of a nature to usher in a discussion of Mona's sensibilities; but Mrs. Gereth went on, in a moment, with an innocence of which Fleda could measure the cold hypocrisy: "Has she any sort of feeling for nice old things?" The question was as fresh as the morning light.!

"Of the old things?" Fleda had selected a third-class compartment: she stood a moment looking into it and at a fat woman with a basket who had already taken possession. "Always?" she said, turning again to her companion. "Never!" she exclaimed. She got into the carriage, and two men with bags and boxes immediately followed, blocking up door and window so long that when she was able to look out again Mrs. Gereth had gone. "And what did you say to that?"

Fleda felt herself flush slightly, but she tried to smile. "Did you tell her all about it? Did you make her understand you want me?" In knowing a while before all she needed, Fleda had been far from knowing as much as that; so that once upstairs, where, in her room, with her sense of danger and trouble, the age of Louis Seize suddenly struck her as wanting in taste and point, she felt that she now for the first time knew her temptation. Owen had put it before her with an art beyond his own dream. Mona would cast him off if he didn't proceed to extremities; if his negotiation with his mother should fail he would be completely free. That negotiation depended on a young lady to whom he had pressingly suggested the condition of his freedom; and as if to aggravate the young lady's predicament designing fate had sent Mrs. Gereth, as the parlor-maid said, "up the back road." This would give the young lady more time to make up her mind that nothing should come of the negotiation. There would be different ways of putting the question to Mrs. Gereth, and Fleda might profitably devote the moments before her return to a selection of the way that would most surely be tantamount to failure. This selection indeed required no great adroitness; it was so conspicuous that failure would be the reward of an effective introduction of Mona. If that abhorred name should be properly invoked Mrs. Gereth would resist to the death, and before envenomed resistance Owen would certainly retire. His retirement would be into single life, and Fleda reflected that he had now gone away conscious of having practically told her so. She could only say, as she waited for the back road to disgorge, that she hoped it was a consciousness he enjoyed. There was something she enjoyed; but that was a very different matter. To know that she had become to him an object of desire gave her wings that she felt herself flutter in the air: it was like the rush of a flood into her own accumulations. These stored depths had been fathomless and still, but now, for half an hour, in the empty house, they spread till they overflowed. He seemed to have made it right for her to confess to herself her secret. Strange then there should be for him in return nothing that such a confession could make right! How could it make right that he should give up Mona for another woman? His attitude was a sorry appeal to Fleda to legitimate that. But he didn't believe it himself, and he had none of the courage of his suggestion. She could easily see how wrong everything must be when a man so made to be manly was wanting in courage. She had upset him, as people called it, and he had spoken out from the force of the jar of finding her there. He had upset her too, heaven knew, but she was one of those who could pick themselves up. She had the real advantage, she considered, of having kept him from seeing that she had been overthrown. "He'll come back to assert himself," Mrs. Gereth had said; and the following week Owen in fact reappeared. He might merely have written, Fleda could see, but he had come in person because it was at once "nicer" for his mother and stronger for his cause. He didn't like the row, though Mona probably did; if he hadn't a sense of beauty he had after all a sense of justice; but it was inevitable he should clearly announce at Poynton the date at which he must look to find the house vacant. "You don't think I'm rough or hard, do you?" he asked of Fleda, his impatience shining in his idle eyes as the dining-hour shines in club-windows. "The place at Ricks stands there with open arms. And then I give her lots of time. Tell her she can remove everything that belongs to her." Fleda recognized the elements of what the newspapers call a deadlock in the circumstance that nothing at Poynton belonged to Mrs. Gereth either more or less than anything else. She must either take everything or nothing, and the girl's suggestion was that it might perhaps be an inspiration to do the latter and begin again on a clean page. What, however, was the poor woman, in that case, to begin with? What was she to do at all, on her meagre income, but make the best of the objets d'art of Ricks, the treasures collected by Mr. Gereth's maiden aunt? She had never been near the place: for long years it had been let to strangers, and after that the foreboding that it would be her doom had kept her from the abasement of it. She had felt that she should see it soon enough, but Fleda (who was careful not to betray to her that Mona had seen it and had been gratified) knew her reasons for believing that the maiden aunt's principles had had much in common with the principles of Waterbath. The only thing, in short, that she would ever have to do with the objets d'art of Ricks would be to turn them out into the road. What belonged to her at Poynton, as Owen said, would conveniently mitigate the void resulting from that demonstration.